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Willem Claesz Heda Still-life oil painting


Still-life
Painting ID::  76244
Willem Claesz Heda
Still-life
Date 1657 Medium Oil on canvas Dimensions 52 x 74 cm cyf

   
   
     

Willem Claesz Heda Nature morte aux pieces d etain oil painting


Nature morte aux pieces d etain
Painting ID::  76254
Willem Claesz Heda
Nature morte aux pieces d etain
50 cm x 83,5 cm cyf

   
   
     

Willem Claesz Heda Stilleben oil painting


Stilleben
Painting ID::  76846
Willem Claesz Heda
Stilleben
English: c. 1640 Medium Oil on panel Dimensions Deutsch: 58,5 ?? 79 cm cyf

   
   
     

Willem Claesz Heda Dessert oil painting


Dessert
Painting ID::  85639
Willem Claesz Heda
Dessert
1637(1637) Medium Oil on panel Dimensions 44.5 x 69.5 cm (17.5 x 27.4 in) cyf

   
   
     

Willem Claesz Heda Breakfast Still Life oil painting


Breakfast Still Life
Painting ID::  88373
Willem Claesz Heda
Breakfast Still Life
1637(1637) Medium Oil on wood cyf

   
   
     

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     Willem Claesz Heda
     1594-1682 Dutch Willem Claesz Heda Galleries Dutch painter. He was a still-life painter, who, like Pieter Claesz., is noted for his monochrome breakfast-pieces, which are, however, more opulent than those of Claesz. Heda earliest dated work is a Vanitas (1621; The Hague, Mus. Bredius), which shows a still-life from a high viewpoint, composed of various objects bearing vanitas associations (e.g. a bowl of glowing embers, smoker requisites, an overturned glass and a skull); the colouring is in brownish-grey tones and represents one of the earliest examples of a Dutch monochrome still-life (monochrome refers to the range of tones, rather than of colours). Even in this early work Heda skill at painting textures is evident. A more balanced composition is achieved in another Still-life (1629; The Hague, Mauritshuis) and in the Breakfast Table (1631; Dresden, Gemeldegal. Alte Meister), in both of which the objects, set against a neutral background, are linked by a strong diagonal. The Mauritshuis still-life also gives an early indication of Heda interest in painting the effects of light. In 1631 he became a member of the Haarlem Guild of St Luke (of which he served as deacon on several occasions after 1637).

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